As I was painting this morning I listened to a conversation about artificial intelligence.
A group of young people were talking with a senator about what AI is doing to their futures. tTheir fear was not theoretical.
These young adults did what we told them to do. They went to school, got educated, prepared themselves for careers, accumulated debt in some cases, because we promised them education was the path to security. Now they’re watching artificial intelligence begin doing the jobs they trained for — drivers watching driverless cars pick up passengers, office workers watching software handle tasks that once required entire departments, manufacturing lines that have been automating for years with AI accelerating the conversation far beyond the factory floor.
I understand why they’re scared. I would be too.
But while I was listening, I was standing in front of my easel, and I stepped back from the painting and thought: what if we’re looking at this from the wrong direction? What if artificial intelligence doesn’t ultimately make us less creative?
What if it forces us to become more human?
I know. That’s not exactly the fashionable position right now. Everybody is asking what happens when AI can write something, design something, answer something, schedule something, or drive somebody across town faster and cheaper than a person can.
Those are legitimate questions, and there’s a gigantic economic one sitting in the middle of them that can’t be ignored: if technology eliminates someone’s livelihood without replacing the income that livelihood provided, we haven’t given that person freedom. We’ve given them unemployment. You can’t hand a frightened man a box of carving tools after he loses his job and cheerfully announce that he finally has time to whittle. He has a mortgage, groceries, maybe children to support. The transition matters. Who benefits from the productivity AI creates matters. Whether ordinary people share in that abundance matters.
However underneath the economic question, I think there’s another one coming toward us. And retirement already taught me something about it.
For most of our lives, we’ve organized identity around occupation. We meet somebody and ask what they do — not what fascinates them, what they create, what makes them forget what time it is, what they’d build if nobody graded it.
We mean their job title: teacher, executive, mechanic, nurse, accountant, salesperson, factory worker. For decades that title became shorthand for the whole person.
Then retirement comes along and takes it away, and suddenly millions of us face a question the rest of society may soon be facing at a much larger scale: who am I when my job is no longer the center of my life?
I’ve spent a lot of time with that question, which is why I wonder whether women in retirement are standing at the leading edge of something bigger. We may be the dress rehearsal.
Technology is becoming very good at repetition. Machines don’t get bored dropping the ten-thousandth engine into the ten-thousandth car. Software doesn’t mind sorting another thousand records. AI doesn’t complain about another spreadsheet or another summarized meeting. Fine — let the machines become spectacular at being machines. But what happens to us?
This morning I looked at the painting in front of me and knew something with absolute certainty. Artificial intelligence can generate an image that looks like a painting. It can suggest a composition, show me possibilities, help me research, even become part of my process. But it cannot stand where I’m standing. It cannot put my life into that canvas. It didn’t live through the years that formed my eye. It doesn’t know why a particular shade makes me stop, or carry the memories attached to a certain kind of light. It didn’t lose my father, love my grandmother, survive my marriages, or stand in the Blue Ridge Mountains and feel something shift. It didn’t spend forty years learning what my hand does with a brush.
The painting exists because I existed first. And I think that distinction is about to become more valuable, not less.
We’re entering an age of nearly unlimited manufactured pictures, words, music, and design. Whenever something becomes unlimited, something else becomes scarce, and I think one of those scarce things will be human provenance — who made this, whose hands touched it, why she made it. There may come a time when people don’t just ask whether a table is beautiful; they want to know who built it, and an imperfect physical object carrying evidence of a human hand becomes more precious for its imperfection, not less.
That makes me wonder whether AI could create more customers for my paintings rather than fewer. Not immediately, not magically, and certainly not without enormous disruption along the way. But I can imagine a culture so saturated with perfectly generated images that one imperfect painting made by one particular woman becomes more precious — because you can see where she changed her mind, see the stroke that didn’t behave, see evidence that somebody stood in front of that canvas and wrestled something into existence. There’s a human being in the room with you, even when she isn’t there. That can’t be mass-produced.
And this doesn’t belong only to artists. A man who spent thirty years building cars on an assembly line may discover he loves building furniture instead. A woman who spent forty years in an office may discover clay. Someone plants gardens, repairs old clocks, makes quilts, writes plays, restores houses, cooks extraordinary food, teaches a child chess, composes music, breeds roses, builds boats, tells stories. Nobody needs to monetize a hobby — God help us if capitalism gets ahold of every peaceful thing we enjoy and demands we turn it into a side hustle. The point is that human beings are creators. Long before résumés and job titles and productivity reports, we made things: we painted cave walls, carved figures, told stories around fires, made music, built, decorated, imagined — created beauty for no practical reason except that something inside us wanted expression. Then somewhere along the way we got terribly busy, efficient, scheduled, measured, optimized.
Technology may be about to confront us with a strange possibility. If machines carry more of civilization’s repetitive burden, human beings could regain something we surrendered in exchange for industrial productivity: time. But only if we’re wise enough to make that time livable — that’s the part we can’t skip. The benefits of technological progress can’t belong exclusively to the people who own the technology while everybody else is told to enjoy their newfound unemployment.
If AI creates abundance, humans need access to that abundance, or this becomes another story about wealth concentrating upward while everyone underneath scrambles harder. None of what I’m describing pays anyone’s mortgage by itself. Meaning and money are not the same problem, and I don’t want to pretend a canvas or a bowl of clay solves the second one.
But if we get that piece right, even partly right, the question stops being *what will humans do when machines can do our jobs* and becomes *what will we create when our jobs no longer consume nearly all of our time?*
You already know how unsettling that question can be if you’ve spent decades being useful, responsible, needed, productive, and then watched the calendar suddenly open up. At first that freedom can feel suspiciously like emptiness. I’ve come to believe the emptiness isn’t empty at all. It’s space — space for the person underneath all those roles to return.
That’s what I see happening with artificial intelligence too. I don’t believe the human story ends because a machine can produce words or pictures or drive a car. I think the machine may force us to finally decide what being human was supposed to mean in the first place.
This morning, standing in front of a wet oil painting while a group of frightened young people talked about their future, I found myself strangely hopeful. Let the machines calculate, sort, automate, do what machines do beautifully. And then let’s see what happens when human beings are given back enough time to remember what we do beautifully.
We create. We always have. I don’t think AI is going to end that.
I think it may remind us.




Those are interesting thoughts, and I believe that you are right, but this part: "If AI creates abundance, humans need access to that abundance, or this becomes another story about wealth concentrating upward while everyone underneath scrambles harder" is crucial and I don't believe that, given the actual political situation both in the US and in the world, things will turn out fine. So the "scrambling harder" remains very dangerous.